Dr Claire French

Dr Claire French

Department of Drama and Theatre Arts
Assistant Professor in Performance and Creative Practices

Contact details

Address
University of Birmingham
Selly Oak Campus
Weoley Park Road
Hamilton Drive
Birmingham
B29 6QW

I am new to the department, teaching across theory and practice and leading the new MA in Performance Practices: Applied Artists. My specialisms include applied, autobiographical and multilingual performance practices. I am currently most connected to South African theatre and performance artists and activists, articulating new dramaturgies and frameworks for sustainable global collaboration. Communities that I have previously created work with include new migrants, the diaspora, Indigenous training actors, older actors and intercultural teams of physical theatre performers across Germany, the UK, South Africa and Australia.

My research develops multilingual methodologies and dramaturgies that interweave and legitimise minority or low-status languages. I have published in journals including Applied Theatre Research, Theatre Dance and Performance Training and Australian Aboriginal Studies and currently completing my monograph, Making Multilingual performance: Omission, Alignment, Disruption (Routledge 2023, forthcoming).

Qualifications

  • 2019: PhD in Theatre Studies, University of Warwick, UK, funded by Commonwealth Scholarship Commission
  • 2018: Associate Fellowship of the Higher Education Academy, UK
  • 2014: MA in Applied Theatre, Drama in the Community and Drama Education, Royal Central School of Speech and Drama, UK
  • 2007: BA in Theatre Studies, University of Notre Dame with Arts Management, Western Australian Academy of Performing Arts, Edith Cowan University, Australia

Biography

Dr Claire French researches and makes multilingual theatre and performance with minoritised languages.

Her documentary theatre practice carves out processes of making performance that privilege the storyteller in their unique social, epistemological and interactional context – to unearth new truths, new connections and new cultural literacies. Borrowing from her research, she seeks to situate linguistic hegemonies in these multilingual, applied and autobiographical performance contexts.

UK
Claire has recently completed Courage Songs (2024), a documentary theatre play in tribute to Birmingham-based women about ambition and family, love and independence, faith and criticality. She will soon release the documentary 'Already emancipated: Soul City Arts in conversation with the nation', funded by an Arts and Humanities Research Council award with sociolinguist Dr Kamran Khan, University of Birmingham (2023-2024).

South Africa
Claire has recently completed research exploring culture and multilingualism in actor training with Dr Samuel Ravengai, University of the Witwatersrand, supported by the Birmingham International Engagement Fund award (2023-2024). The two are currently co-authoring work on the differences between the embodiment of culture in actor training across UK and South African HE institutions.

Before this, Claire's practice as research project 'Decolonising language ideologies in the body' with Sibusiso Mkhize developed improvisational approaches to multilingual South African (isiZulu, isiXhosa, Sesotho, English) performance making, part of her Arts Research Africa and Mellon Foundation Postdoctoral Fellowship at the University of the Witwatersrand. The two have published several articles (see publications) on this research.

Australia
Claire has ongoing collaborations with sociolinguist Prof. Jakelin Troy, University of Sydney, exploring the role of performance and dramaturgy in Indigenous language revitalisation. The two have published on this topic. Other Australian projects include producing a documentary with Dr Alison Grove O'Grady on the pedagogy of empathy in drama-based teacher training (see media).

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Claire is currently completing the monograph Making multilingual performance: Omission, alignment, disruption (Routledge).

She is Co-editor of: Applied Theatre Research (Intellect) with Taiwo Afolabi and Bobby Smith, and Reading Decoloniality with Teodora Todorova and Asanda Nogasheng.

More about her work can be found at clairefrench.com

Teaching

My experience as a practitioner informs my praxis-based approach to teaching. I enjoy guiding students to step in and out of role as learners to develop their own plans for practice as facilitators and I play with this as a pedagogy in several modules. My teaching in the department focuses on the investigations of critical and reflective studio practices, dramaturgy and intercultural performance in and out of applied theatre settings. I am highly interdisciplinary, drawing from sociolinguistics and actor training in my research and allowing these to find their way into pedagogies. My current leadership and development of the MA Performance Practices: Applied Artists sees me exploring the strengths of the department and how they pair with the future of applied theatre and performance.

Postgraduate supervision


Find out more - our PhD Drama and Theatre Studies  page has information about doctoral research at the University of Birmingham.

Publications

Recent publications

Article

French, C 2024, 'Afroscenology for British Actors? Making performance pregnant with culture', Reading Decoloniality, no. 3. <https://readingdecoloniality.warwick.ac.uk/afroscenology-for-british-actors>

French, C & Roche, G 2022, 'Global coalition for language rights' Blog: Language on the Move, vol. 2022. <https://www.languageonthemove.com/global-coalition-for-language-rights/>

French, C 2022, 'Languaging a widened embodied repertoire', Theatre, Dance and Performance Training, vol. 13, no. 1, pp. 57-74. https://doi.org/10.1080/19443927.2021.2006297

French, C 2021, 'Facilitating departures from monolingual discourses', Applied Theatre Research, vol. 9, no. 1, 1, pp. 7-23. https://doi.org/10.1386/atr_00045_1

French, C & Troy, J 2021, 'Ngapartji Ngapartji: intercultural dramaturgies for Indigenous language revitalisation', Australian Aboriginal Studies, vol. 2021, no. 2, 3, pp. 25-45. <https://search.informit.org/doi/10.3316/agispt.20220913073892>

Chapter

French, C & Mkhize, S 2024, Linguistically sustainable multilingual interactions in monolingual institutions. in T Afolabi, AK Hakib & B Smith (eds), Applied Theatre and the Sustainable Development Goals: Crises, Collaboration, and Beyond. 1st edn, Routledge Advances in Theatre & Performance Studies, Routledge, pp. 126-145. https://doi.org/10.4324/9781003334842-11

French, C & Mkhize, S 2023, Decolonising performance training: Voice messages from the South African day to the Australian night. in E Piazzoli, R Jacobs & G Scally (eds), Digital Displacement: Re-inventing Embodied Practice Online During the COVID-19 Pandemic. 1 edn, Palgrave Macmillan, pp. 93-114. https://doi.org/10.1007/978-3-031-41586-9_6

Comment/debate

French, C 2024, 'Islam, plurality and an interface with the already emancipated', Research in Drama Education. https://doi.org/10.1080/13569783.2024.2402009

Commissioned report

French, C 2024, After the games and during the cuts: Action learning for community arts in a volatile ecology. Culture Central. <https://shorturl.at/fHOJw>

Jacobs, R & French, C 2021, Women, robots and a sustainable generation: Reading artworks envisioning education in 2050 and beyond. UNESCO. <https://unesdoc.unesco.org/ark:/48223/pf0000375578>

Other contribution

French, C 2024, Why we should support community artists in Birmingham’s volatile, post-Commonwealth Games ecology. University of Birmingham. <https://www.birmingham.ac.uk/news/2024/why-we-should-support-community-artists-in-birminghams-volatile-post-commonwealth-games-ecology>

French, C 2022, Playing a part beyond allyship with Black Brass. ArtsHub Australia. <https://www.artshub.com.au/news/features/beyond-allyship-with-black-brass-2525097/>

French, C 2022, ‘Theatre of the real’: how artists at Perth Fringe World are stripping down to reveal their vulnerabilities. The Conversation . <https://theconversation.com/theatre-of-the-real-how-artists-at-perth-fringe-world-are-stripping-down-to-reveal-their-vulnerabilities-175652>

Paper

French, C 2024, 'Ethical documentary theatre and making knowledge through multilingual songs', Paper presented at Scenario Forum, Dublin, Ireland, 9/05/24 - 11/05/24.

French, C & Mkhize, S 2023, 'Sustainable multilingual interactions in monolingual institutions', Paper presented at Performance Studies International, 2/08/23 - 5/08/23.

View all publications in research portal