Find a research supervisor in musicology

Late nineteenth and early twentieth-century Germany and Austria; symphony and opera; music and politics.

• Singers and Singing Culture, especially Early Modern
• Early Modern Italian Vocal Music
• Modal and Rhetorical Analysis of Early Modern Music
• Feminism and Gender Studies
• Performance Theories

Research and supervision areas:

• Music of Vietnam; Music of Asia
• Theories of creativity
• Theories of genre development
• Queer ethnography

Music and meaning; Music analysis; Music and philosophy; Music semiotics; Popular music; The blues; Jazz; Music for film; Late eighteenth-century music

Twentieth-century Italian music; Twentieth-century British music; Analysis of post-tonal music; Theories of musical realism and modernism; Critical Theory; History of Aesthetics; Music under Fascism

Electronic dance music; Affect / emotions; Sexuality and queer theory; Tourism, travel and migration; Culture industries and creative labour; Sound studies, texture, tactility

Experimental music, electronic music, media art, sound art; popular music; History and critical theory of music technology; Digital musicology; Music and genre; Perception of sound and music; Practice-based research in these areas. 

Early Music Performance Practice; Fifteenth and sixteenth centuries; popular music; performance; Shostakovich; violin performance; conducting

I am a pianist and musicologist. I work on intersections between music, identity, and performance, and on music and musicians in Britain and Ireland during the late nineteenth- and twentieth centuries. As a professional pianist I appear at leading concert halls and festivals in the UK and further afield, and collaborate with both classical and traditional musicians.

Music analysis;  Music and nationalism; Classical and Romantic instrumental music British music since 1887.

British Music of the C19th and early C20ths; Anglican Church Music; English Opera