Curating Art History
- Location
- Barber Institute of Fine Arts
- Dates
- Wednesday 7 May (14:00) - Thursday 8 May 2014 (17:30)
- Contact
For other enquiries, please email: arthistoriography@gmail.com
Curating Art History: Dialogues between museum professionals and academics - annual Art History colloquium, organised in conjunction with the Journal of Art Historiography
Speakers
- Catherine De Lorenzo (University of New South Wales, Australia)
- Helen Shaw (University of York)
- Andy Ellis (Public Catalogue Foundation)
- Karen Raney (Engage Journal)
- Ming Turner (National Cheng Kung University, Taiwan)
- Vera Carmo (University of Coimbra, Portugal)
- Elin Morgan (The New Art Gallery, Walsall)
- Rebecca Darley and Daniel Reynolds (The Warburg Institute)
- Richard Clay, Henry Chapman, Leslie Brubaker (The University of Birmingham)
- Stacy Boldrick (The Fruitmarket Gallery, Edinburgh)
- Simon Cane (Birmingham Museums Trust)
Themes
- Ethnography and curating native art
Australian art history and Aboriginal art; curating Native American art - Knowledge exchange and development
Providing specialist knowledge to public art collections; gallery education and curatorial strategies - Exhibitions that challenge curatorial practice and art history
Post-humanist desire: Innovative research and methods of display; Crash Music: re-exhibiting impermanent art; Jacob Epstein’s Rock Drill: a creative curatorial opportunity - Case study at the Barber Institute
Exhibiting coins as economic artefacts: Faith and Fortune: visualizing the divine on Byzantine and early Islamic coinage - Round table - International Iconoclasms network
Cross-disciplinary debate and Art Under Attack: Histories of British Iconoclasm at Tate Britain
Tickets
- Full rate: £20
- Students: £10
To book your place please visit our secure online shop.