This research aims to study the phenomena of utilising anti-realist forms in fiction films whose narratives are dominantly concerned with confronting philosophical questions, with an emphasis on Scandinavian cinema as a representative case study. The engagement of film with philosophy, that sometimes attributed to as ‘film-as-philosophy’, has been a matter of debate among scholars, where questions like how far philosophy can be screened, and if cinema has the ability to act as an object of philosophical reflections, are in the centre of attention. This study seeks to intervene in this ongoing critical debate by attempting to theorise an approach for establishing a visual articulation of philosophical themes in the context of narrative film.