The creative instability of the digital world has brought in its wake incalculable advantages but also a significant alteration to the status of authority. The partnership aims to address significant theoretical questions which arising in this context of change. For example, if we are now able to conceive of texts, people, events in multiple digital ways, does this fundamentally change our interactions with our cultural artefacts? What is a book, a library, a page, a document or a work in the digital culture editors are creating? And how does this revised understanding alter our conception of cultural and political artefacts?