At the broadest level, I am interested in the lives of the marginal, alternative and excluded in the urban Global South. I have two ongoing projects.
The first project investigates what, in a post-“Arab Spring” Middle East, drives young people to struggle for change in a failing city, and what makes them persist in the face of their failure to effect change. I explore these questions in detail in my forthcoming monograph, A Break in the Future: Feeling Like an Activist after the Arab Uprisings (University of Pennsylvania Press). More recently, this project has motivated a larger investigation of new forms of political action following both the Arab uprisings and the movements of the squares internationally.
The second project is concerned with how migrant workers in Lebanon create political community in the face of racialised labour inequality. As part of this project I facilitated the creation of a participatory archive of antiracist organising housed at the Migrant Community Center in Beirut. The archive is a collectively-curated mixture of protest paraphernalia, image library, and community history. Creative engagement with the archive is central to its purpose: to date this has included an on-site installation of protest banners, a visual history of the Center for new members, and a public exhibition to mark the Center’s decade anniversary.
My interest in participatory archiving is part of a broader concern with ethnographic methods and who gets to author knowledge, and how. I am currently curating accounts of what a decolonised use and presentation of ethnographic methods looks like as co-editor of the book New Questions of Anthropology (Forthcoming, LSE Press).