Recent publications
Book
Hodgson, A 2021, The Cambridge Guide to Reading Poetry. Cambridge University Press. https://doi.org/10.1017/9781108915212
Hodgson, A 2020, The Poetry of Clare, Hopkins, Thomas, and Gurney: Lyric Individualism. 1st edn, Palgrave Macmillan. https://doi.org/10.1007/978-3-030-30971-8
Hodgson, A 2019, The Poems of John Keats. Macmillan.
Article
Hodgson, A 2022, ''Complicated Windings’: ‘Mont Blanc’', European Romantic Review, vol. 33, no. 5, pp. 667-681. https://doi.org/10.1080/10509585.2022.2114211
Hodgson, A 2019, 'Thomas Gray’s Finish', SEL - Studies in English Literature, vol. 59, no. 3 (Summer 2019), pp. 531-557. https://doi.org/10.1353/sel.2019.0024
Hodgson, A 2017, 'Clare on Wordsworth', Wordsworth Circle, vol. XLVII, no. 2.
Clarkson, O & Hodgson, A 2017, 'Romantic Rhyme and the Airs that Stray', Romanticism, vol. 23, no. 2, pp. 111-122. https://doi.org/10.3366/rom.2017.0318
Hodgson, A 2016, 'Clare's Lyric Impulse', The Cambridge Quarterly, vol. 45, no. 2, pp. 103-118. https://doi.org/10.1093/camqtly/bfw003
Hodgson, A 2016, 'Hopkins's Heart', Victorian Poetry, vol. 54, no. 1, pp. 93-117. https://doi.org/10.1353/vp.2016.0005
Chapter (peer-reviewed)
Hodgson, A 2024, Charlotte Mew as a Tragic Poet. in F Bratton, M Girdwood & F Riddell (eds), Charlotte Mew: Poetics, Bodies, Ecologies. 1 edn, Palgrave Studies in Nineteenth-Century Writing and Culture, Palgrave Macmillan, pp. 65-85. https://doi.org/10.1007/978-3-031-62542-8_4
Hodgson, A 2023, Clare's Forms. in S Houghton-Walker (ed.), The Cambridge Companion to John Clare. Cambridge Companions to Literature, Cambridge University Press.
Hodgson, A 2023, Syntax. in M Dubois (ed.), Gerard Manley Hopkins in Context. Cambridge University Press.
Chapter
Hodgson, A 2020, Clare's Ear. in Palgrave Advances in John Clare Studies. Palgrave Macmillan.
Hodgson, A 2020, Clare's Late Styles. in The Lost Romantics: Forgotten Poets, Neglected Works, and One-Hit Wonders.
Hodgson, A 2019, Rhetoric and Feeling in Rupert Brooke. in Literary and Cultural Alternatives to Modernism: Unsettling Presences.
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