Recent publications
Book
Pattie, D & Albiez, S (eds) 2022, The Velvet Underground: What Goes On. 1 edn, Bloomsbury, New York. <https://www.bloomsbury.com/uk/velvet-underground-9781501338410/>
Pattie, D & Stewart, P (eds) 2019, Pop Beckett: Intersections with Popular Culture. ibidem-Verlag, Stuttgart.
Pattie, D & Albiez, S (eds) 2016, Brian Eno: Oblique Music. 1st edn, Bloomsbury, London, UK ; New York . <https://www.bloomsbury.com/uk/brian-eno-9781441155344>
Article
Pattie, D 2018, '‘At me too someone is looking...’: Coercive Systems in Beckett’s Theatre.', Samuel Beckett Today - Aujourd hui, vol. 30, no. 2, pp. 227-238. https://doi.org/10.1163/18757405-03002004
Pattie, D 2017, 'The Stuff of Performance: Beckett, Theatre Marginalia, and the Archive', Samuel Beckett Today - Aujourd hui, vol. 29, no. 2, pp. 231-242. https://doi.org/10.1163/18757405-02902002
Pattie, D 2016, 'Dissolving into Scotland: National Identity in Dunsinane and The Strange Undoing of Prudencia Hart', Contemporary Theatre Review, vol. 26, no. 1, pp. 19-30. https://doi.org/10.1080/10486801.2015.1123700
Pattie, D 2016, ''Let What Happens Happen': The Whitelaw Archive', Journal of Beckett Studies, vol. 25, no. 2, pp. 206-223. https://doi.org/10.3366/jobs.2016.0171
Chapter (peer-reviewed)
Pattie, D 2023, Rattigan and Physical Action. in A Feldman & D Rebellato (eds), Terrence Rattigan: New Critical Perspectives. Cambridge University Press, Cambridge.
Pattie, D 2022, Cluster/ Harmonia. in U Schütte (ed.), The Cambridge Companion to Krautrock. Cambridge Companions, Cambridge University Press, Cambridge, pp. 173-186. https://doi.org/10.1017/9781009036535.012
Pattie, D 2022, Fields in England: Contemporary English Drama and the Countryside. in C Wallace, C Escoda, E Monforte & R Prado-Perez (eds), Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. Methuen, London, pp. 109-125. <https://www.bloomsbury.com/uk/crisis-representation-and-resilience-9781350180857/>
Pattie, D 2022, Planet Floyd: The Evolution of Pink Floyd's Live Performances. in S Morrison & C Hart (eds), The Routledge Handbook of Pink Floyd. Routledge, London, pp. 111-125. <https://www.routledge.com/The-Routledge-Handbook-of-Pink-Floyd/Hart-Morrison/p/book/9780367338275>
Pattie, D 2021, Blurring the Modern: Neu!, Kraftwerk, Gerhard Richter and Motorik. in U Schutte (ed.), German Pop Music in Literary and Transmedial Perspectives. Studies in Modern German and Austrian Literature, vol. 11, Peter Lang, Berlin, pp. 15-33. https://doi.org/10.3726/b16291
Pattie, D 2016, 7:84 Theatre Companies. in J Bull (ed.), British Theatre Companies: 1965-1979: British Theatre Companies: from Fringe to Mainstream. Methuen, London, pp. 251-274.
Book/Film/Article review
Pattie, D 2022, 'Mark Brown. Modernism and Scottish Theatre since 1969: A Revolution on Stage. Cham: Palgrave Macmillan, 2019, xvii + 254 pp., € 80.24 (hardback), € 24.99 (softcover)', Journal of Contemporary Drama in English, vol. 10, no. 1, pp. 259-260. https://doi.org/10.1515/jcde-2022-0019
Foreword/postscript
Pattie, D 2021, Introduction. in Girls and Boys. Methuen Drama Modern Classics, Methuen, London, pp. 1-7. <https://www.bloomsbury.com/uk/girls-and-boys-9781350200692/>
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