Her two surviving works – the Beau roman, a rewriting of Boccaccio’s Teseida (via a French mise-en-prose) and the Rondeaux, a reworking of Alain Chartier’s poem, La Belle dame sans mercy – suggest that she was developing the legacy of Christine de Pizan who, early in the fifteenth century, had sought to defend women from misogynist attacks by male writers. By writing new versions of these male-authored works, by employing new poetic forms, and nuancing the arguments of the female characters, Anne celebrated and promoted not only the role of women in society but also an image of equality and harmony between the sexes. Aimed at the two most powerful women in France, these works, as well as Anne’s rich collection, demonstrate her important position within French courtly and literary culture.